Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a major newspaper published the headline “Insurance CEO Shot Dead In Manhattan”. The article then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was indeed both cold and shocking. But many Americans reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”

Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the death penalty. So what is his background? And what might have motivated the alleged crime? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.

Understanding the Person

A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Additionally, Richardson analyzes his correspondence with online personalities and authors as well as his many posts on digital networks. These primary sources, intended to depict a picture of Mangione, instead render him an unclear character. Richardson tries to justify this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson attempts to cast his subject in archetypal terms.

Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “remove”, etched on the bullets left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He examines the indication Mangione had a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.

Missing Pieces

Notably missing from the book are interviews with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his relatives stated explicitly that they had decided against speaking to the press in advance of the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.

Ambiguous Findings

By the conclusion, the reader has little insight of Mangione’s character or what might have motivated his accused actions. Worse still, Richardson’s apparent empathy for him creates the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that tale “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”

One thing is clear: as Mangione’s defence team works to have accusations that could lead to the ultimate sentence thrown out, any reference of fables, Robin Hoods, heroes or villains will not be allowed in court in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Ellen Byrd
Ellen Byrd

Tech enthusiast and digital strategist with a passion for exploring emerging technologies and their impact on society.